The highly anticipated comedy “This Is Not a Nollywood Movie” has officially opened in Nigerian cinemas, and excitement is building as audiences get their first look at the film’s witty, self-aware storytelling. Directed by and starring AMVCA winner Wale Ojo, the film is already generating conversations across the entertainment industry for its bold humour, unconventional narrative style, and star-studded cast.
The action-comedy follows the chaotic journey of a down-on-his-luck filmmaker who mysteriously disappears on the very first day of production. What follows is a series of hilarious, unpredictable events as his cast and crew attempt to unravel the mystery while battling their own eccentricities and industry stereotypes.
Featuring a powerhouse ensemble including Hanks Anuku, Julius Agwu, and Bimbo Akintola, the film merges satire with sharp comedic timing, offering a playful critique of Nollywood while also celebrating its evolution. The chemistry among the veteran actors adds depth and comedic momentum, positioning the film as one of December’s strongest cinematic contenders.
Produced by Boma Akpore, the former Big Brother Naija standout who has been steadily expanding his footprint in the entertainment business, the movie represents Ojo’s second directorial outing. Early viewers and insiders say Ojo’s direction brings a refreshing originality, pairing industry in-jokes with a narrative that keeps audiences guessing.
According to Wale Ojo, the film’s intriguing title, “This Is Not a Nollywood Movie,” carries a hidden meaning only revealed in the final moments of the film, leaving viewers with an unexpected twist that reframes the entire story. This narrative device, he says, is part of the project’s intention to subvert expectations and showcase Nollywood’s growing experimentation with genre and structure.
With its competitive December theatrical release—a period known for blockbuster clashes and packed cinema schedules—the film is well positioned to attract large audiences seeking holiday entertainment. Its blend of humour, mystery, and industry satire makes it a standout offering in the year’s final slate of Nigerian cinema releases.
As buzz continues to grow, “This Is Not a Nollywood Movie” appears poised to become one of the season’s breakout hits, reinforcing Wale Ojo’s reputation not just as an acclaimed actor, but as a filmmaker pushing the boundaries of Nigerian storytelling
